Journal of Applied Arts

Journal of Applied Arts

Obtaining the Certificate of Approval of the Journal of Applied Arts from the Scientific journalsCommission Ministry of Science, Research and Technology

The Journal of Applied Arts was approved as one of the scientific journals by the Ministry of Science and succeeded in obtaining a B rank in the evaluation process since 2022. Authors can refer to the Ministry of Science’s scientific journals portal, dedicated page for the Journal of Applied Arts for more information.

"The Journal of Applied Arts has been indexed in the Islamic World Science Citation Database (ISC)."

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The Journal of Applied Arts  is a Persian-language scientific quarterly published in full text by Semnan University, with the cooperation of members of the editorial board from leading universities in the country. This quarterly is the first journal in the art group that has been formed since 2012 with the aim of publishing research achievements in the applied and practical fields of art. Following the change in publication schedule from biannual to quarterly in 2021, the Applied Arts Quarterly will publish articles in the applied and specialized fields of art (the fields in question are in the journal’s themes section).  The aim of the journal is to develop operational knowledge, publish scientific-research achievements to improve the quality of the foundations of science in the field of art, meet research needs in the branches of art and related fields, and introduce the capabilities of artists and scholars in the sub-branches of art. The Journal of Applied Arts welcomes articles from researchers and professors with the hope of expanding relations between art experts and other disciplines, increasing the level of scientific awareness, and developing fundamental knowledge in the fields of art.

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Note to the authors:

The ethical approach and policies of the Applied Arts Journal are based on following the principles of the International Committee on Publication Ethics (COPE) and the Code of Ethics for Publications of the Ministry of Science, Research and Technology. Also, given the specialized field of the journal, in the art group, the Journal of Applied Arts is committed to the principles enshrined in the Law on the Rights of Authors, Judges, and Artists of the Ministry of Culture and Islamic Guidance. The authors, referees, and scientific bodies of the journal (editor-in-chief, scientific editors, and scientific associates of the journal) must observe these ethical principles when collaborating with the journal.

  • The language of the journal is Persian and the abstract is English.
  • The articles published in this journal are scientific-research articles.
  • The minimum and maximum review time for articles is three to eight months.
  • The review of submitted articles is Double-blind and will be published after the review and approval of the editorial board.
  • Currently, acceptance, review, review and publication of articles in this journal are done without any fees from the authors.
  • In order to provide easy access and expand the boundaries of knowledge, the Journal of Applied Arts has provided free and open access to all articles on the journal's official website.
  • For information on the style guide and how to accept articles, please refer to the Authors' Guide section.
  • In articles extracted from the thesis or articles written in collaboration with a professor and student, the name of the supervisor or one of the supervisors/advisors must be included as the responsible author of the article. The order of names in these articles must be announced by the authors to the journal in the commitment form and approved and signed by all authors.

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All articles submitted to the Journal of Applied Arts are checked for similarity in the Samim Noor system, and the maximum acceptance rate for similarity is 15 percent.

Before submitting an article to the Journal of Applied Arts, respected authors must first register their article in the Samim Noor Similarity Checker System at (https://www.samimnoor.ir) and upload the result along with the article and other attachments to the journal system. Respected authors, please refer to the the Authors' Guide page for more information and a guide file.

Articles that do not have a Samim Noor certificate will not be reviewed.

 

 

Current Issue: Volume 6, Issue 2 - Serial Number 22, Spring 2026 

Keywords Cloud

  • Motifs
  • Semiotics
  • Iran
  • Media
  • Intertextuality
  • Painting
  • Safavid period
  • Inscription
  • Architecture
  • culture
  • Ilkhanid
  • User-centered design
  • Shiraz
  • form
  • design
  • Achaemenid
  • Laclau and Mouffe
  • carpet
  • Text and Image
  • Clothing
  • Metalworking Art
  • Chehelstoon
  • Sasanian
  • Arabesque
  • Golestan Palace
  • postmodernism
  • wooden doors
  • Landscape
  • stylistics
  • Semnan
  • Qajar
  • Contemporary art
  • Roland Barthes
  • Graphic Design
  • Metalwork
  • Ancient Elam
  • Application Design
  • Nishapur Pottery
  • Morphology
  • Qajar era
  • Urban planning
  • Qajar Period
  • architectural decorations
  • Industrial design
  • Aligapoo
  • creativity
  • Isfahani School
  • visual arts
  • Iranian Painting
  • Tourism
  • Metropolitan Museum
  • Handicrafts
  • Genette
  • clothing design
  • Inscriptions
  • Persepolis
  • user interface
  • Lithography
  • Iconology
  • Hasht Behesht
  • discourse analysis
  • Arak
  • emotional design
  • Religious Legitimacy
  • \"surrealist photography\"
  • Pattern
  • Typographic posters
  • Iranian painters
  • Hazrat Masoumeh
  • Hiphap
  • Iranian-Islamic Urban Planning
  • Pollution
  • Ilkhani
  • Seal Studies
  • Commercial Advertisements
  • \"Mithra\" (Mehr)
  • Urban landscape
  • Iranian Islamic Architecture
  • urban development plans
  • Piers
  • conflict of lion and cow
  • India
  • Masjid-Tomb
  • Chehel Sӧtün
  • Khalesi Door
  • Mehjar
  • handle
  • The keyword: the decisive moment
  • Mirza Agha Emami
  • semiotic
  • Shiraz School
  • bullae
  • Seljuk Caravanserai
  • Ettehadieh historical Mansion
  • Henry Cartier Bresson
  • creative development
  • Urban Sculpture
  • plant elements
  • Physical Disorder
  • City
  • Amalgam Gilding
  • imagery
  • Markazi province
  • Gean Baudrillard
  • Precence Painting Exhibition
  • Collective Identity
  • Plant and Geometric Motifs
  • Lavassanat and Rudbar Ghasran
  • Narrative Elements
  • Cultural Studies
  • Kazakh women\'s robes
  • Rey
  • Architectural Ornaments
  • Contemporary Iranian logotypes
  • Sultanabad Carpet
  • Municipal waste management
  • function and performance
  • Max Weber
  • Book-designing
  • neighborhood
  • Australian Art
  • Hyperreality
  • cultural factors
  • Environmental factors
  • 20th Century
  • collaboration with industry
  • Decorations and Execution Techniques
  • Iran’s Contemporary Art
  • installation art
  • Product
  • Physical Evolution
  • Website Design
  • Usefulness
  • Cow- Head mace
  • Aesthetics
  • Hypertextuality
  • Gender differences
  • Painted Under the Glaze
  • Iranian culture
  • Baisonghor’s Kelileh and Demneh
  • happiness
  • Tilework Adornment
  • Lighting devices
  • Embodiment
  • study of iconography
  • layered Semiotics
  • Dezful Qajar Jewelry
  • Sgraffito Pottery
  • Nomadic Texture
  • Ornaments
  • Fotovatnameh-ye Banayan
  • Iranian-Islamic Identity
  • Persian Painting
  • ornament
  • Farhad III
  • Mir Emad al-Hasani
  • Amir-Azedod-doleh
  • Plasterwork
  • Houses Qajar
  • creative women
  • Pahlavi writings
  • Islamic Revolution
  • - The Carpet of Shekar Charkh
  • Manuscripts
  • SEM
  • Perceptual components
  • Cultural Posters
  • Music
  • wooden mosaic
  • authority Discourse
  • Crafts
  • geometric designs
  • Book Arrangement
  • Fotovatnameh-ye Chitsazan
  • Pahlavi era
  • Abolhassan Ghaffari
  • Tomb
  • Bridge
  • Comic strip
  • Andarz Name
  • Functionalism
  • Advertising Announcements
  • Fabric Outdoor Curtains
  • Lorestan Bronzes
  • Tile Painting
  • God\'s names
  • Great Mosque
  • Ritual Protection
  • Art Nouveau
  • contextual architecture
  • Sanandaj
  • security
  • Ghashghaie Tribe
  • PersianPainting
  • Unconscious Design Process
  • Digital world
  • Anthropology of Art
  • Nishapur potteries
  • university
  • Ahmed Abad Street