نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی کارشناسی ارشد، گروه باستان‌شناسی، دانشکده هنر و معماری، دانشگاه مازندران، بابلسر، ایران.
2 استاد، گروه باستان‌شناسی، دانشکده هنر و معماری، دانشگاه مازندران، بابلسر، ایران.
3 دانش آموخته کارشناسی ارشد، گروه نقاشی، دانشکده هنر و معماری، دانشگاه آزاد تهران مرکزی، تهران، ایران.
چکیده
کلیدواژه‌ها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
As additive element, architectural ornaments are extraordinary regarded in Islamic architecture. Of architectural materials, plaster is highly considered in decorative arts, in addition to its static potential. Especial performance in every given periodwas effective in the art formation, flourishment, and decorative richness.
Plasterworks entered to new phase and styles in Safavid period, accordingly there can be seen cubical and semi cubical muqarnas with arabesque designs and various plaster scallops that decorated monuments such as AaliQӓpü, HashtBёhёsht, and ChehelSӧtün. New styles included Tongbiri (A style of Plasterwork: Drag the Stoup on plaster and paint it), Koshtebori (A style of Plasterwork: Creation of a shallow plaster and paint it), painting on plaster, coarsen plasterwork (calligraphic plasterwork or plaster epigraphy) are among decorative plasterwork techniques obvious in different parts of these monuments. The most important question of this research is: Was the Safavid plastering tradition a continuation of past traditions or did they invent new methods? Hypothesis: The Safavids, considering past traditions, addressed the practicality of plastering in addition to its beauty. The conclusionsof surveys on remained plasterworks testify that Safavid artists were well aware of functional aspects of plasterworks in addition to their decorative aspects. For example, geometrical designs of the plaster decorations of AaliQapu were applied to smoothingvocal reflections of musical instruments; furthermore to aesthetic and creative manifestations of the artists.
The authors attempt to investigate and describe common techniques in safavid plasterworks by studying remained plasterworks of Isfahan outlying monuments such as AaliQӓpü, HashtBёhёsht, Chehel Sӧtün, and Shah Mosque while researching motifs to understand their meaning.
کلیدواژه‌ها [English]
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