نوع مقاله : مقاله پژوهشی
نویسنده
دانشیار، گروه نقاشی، دانشکده هنر، دانشگاه الزهرا (س)، تهران، ایران.
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسنده [English]
Abolhasan Ghaffari Kashani was one of the most important famous artists of the Qajar period in the field of courtly iconography, and in his paintings, in addition to his original and unique features, his complete and accurate recognition of the use of complementary colors in the scientific history of color has also been addressed. Iranian color knowledge in the works of Iranian artists has a style and visual characteristics that have been passed on from one artist to another, and Abolhasan Ghaffari was also aware of color properties and how to use the structural components of color, contrast and simultaneous contrast. In his works, color taste in color theory was observed to display iconographic works, and in the two works discussed in this study, this point has been given special attention and shows the innovation of the present study. The purpose of the present study is to study traditional color theory based on color taste and simultaneous contrast and the use of warm and cool colors in two of his portrait paintings of Qajar courtiers. The main questions in this study are as follows: How is the representation and use of complementary colors used in character development in the works of Abolhassan Ghaffari Kashani? This research is qualitative and uses a descriptive-analytical method, and the analysis of the works is based on the study of the principles of traditional color theory, focusing on complementary colors and simultaneous contrast. The findings of this study show that Abolhassan Ghaffari had a high level of color knowledge and used the use of complementary colors in his works consciously and practically, emphasizing simultaneous contrast. In the works discussed in this study, simultaneous contrast and attention to warm and cool color natures were the artist's concern in two works of Qajar courtiers for representation.
کلیدواژهها [English]
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