نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی دکترای پژوهش هنر پردیس دانشگاه آزاد کیش ایران
2 گروه طراحی پارچه و لباس، واحد یزد، دانشگاه آزاد اسلامی ، یزد، ایران
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
The paradigm is used in philosophical and conceptual assumptions to accurately identify research positions, which define a set of researchers’ worldviews and beliefs and is consistent with meanings such as cultural thought patterns and framework. The importance of the paradigm in research is like a logical pillar that contains the research framework and supports the intellectual dimensions and design of the researcher's research to the end of the road. This research will analyze the main pillars of the paradigm in four dimensions: epistemology, ontology, methodology, and originality, while similar studies use the three dimensions of the paradigm pillars. They do, while similar studies use the three dimensions of the pillars of the paradigm, also in the subset of the main positions to the types of paradigms, which are: positivism, post-positivism, critical, and interpretive. Feminism, Postmodern Chaos Theory, Pragmatism. This paper tries to introduce the paradigms in various qualitative and quantitative research, to generalize the term paradigm in the field of art, and also to explain the paradigms that are most used in the field of art and have the best results. This research is qualitative research in which the research work is applied-theoretical and its research method is thematic analysis. Also, data collection has been done by documentary method. The results of this research are the birth of a new paradigm about art and also the introduction of a short and practical model in various research.
کلیدواژهها [English]
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