نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانشجوی دکتری، گروه پژوهش هنر، دانشگاه شاهد، تهران، ایران
2 دانشیار، دانشکده هنر، دانشگاه شاهد، تهران، ایران
3 استادیار، دانشکده هنر، دانشگاه شاهد، تهران، ایران
چکیده
کلیدواژه‌ها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
Since the woman has a suitable position in the Iranian society, studying about her and the identity that has placed her in this position is of particular importance. In this essay, the semiotics of body language is used to achieve the identity of Iranian women. Body language, which is one of the non-verbal or pictorial and visual signs in social relations and communication, has the ability to convey a message through the face, look, movements and expressions of lips and eyebrows, different body postures and body movements. Since Iranian painting, which is a representative of Iranian culture and their thought, could be the best container to represent extra-linguistic communication actions, and by analyzing the concepts of body language in female illustrated characters, it has been tried to recognize the identity of Iranian women by searching in painting. In this way, a comparative study of two artworks with the same theme “Sheikh San’aan and Christian girl “from the Safavid and contemporary period has been selected, with the aim of identifying the hidden messages and concepts hidden in body movements of women in paintings, using the semiotics of body language in these paintings and identify how the development of female identity is discussed. Thus, this research aims to find answers to the following questions:1- What is female identity and how is it reflected in Iranian painting? 2- How can we use body language semiotics to identify the meanings of the movements and postures of women depicted in the paintings of Sheikh Sanan and the Daughter of Tersa from the Safavid period to the contemporary period and to reach the aspects of harmony and distinctions of the works? 3- What changes has female identity undergone in the comparison of paintings from the Safavid and contemporary periods with the subject of Sheikh Sanan and the Daughter of Tersa, and what are the reasons for these changes? The research method in this research is descriptive-analytical and the results show that the differences between these two artworks that women’s identity has undergone a fundamental change that despite the changing conditions governing the society and the integration of Iranian culture with Western culture, the view of women and her place in culture and Iranian society has evolved.
کلیدواژه‌ها [English]
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