نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانش آموخته کارشناسی ارشد پژوهش هنر، گروه هنر، واحد نجف آباد، دانشگاه آزاد اسلامی ، نجف آباد، ایران.
2 استادیار، گروه هنر، واحد نجف آباد، دانشگاه آزاد اسلامی، نجف آباد، ایران.
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسندگان [English]
According to the theory of intertextuality, every text is formed on the basis of its previous texts, and no text is produced or received completely independently, and the previous texts always play a fundamental role in it. According to Julia Kristeva's interpretation of intertextuality, the military text itself is not enough, and it is impossible that it has no connection with the previous texts, and they are definitely in dialogue with the previous texts. Therefore, in this research, the aim is to examine the pre-texts in the motifs of Lorestan pins as a land of bronze based on Julia Kristeva's theory. The motifs used in Lorestan headpieces are a collection of human, animal motifs, etc., which have been discovered from graves or religious places and temples. Based on this fact and in this research, Lorestan pins are classified into two groups: rod and pinhead. The pins with pin heads are also in three groups; They are classified as molded, meshed and with a page head. In this research, 20 pin heads with round plate heads, which were in the National Museum of Iran,( The National Museum of Iran is a collection of historical and prehistoric treasures of Iran located in the city of Tehran) were selected as case samples and analyzed. The research method used in this article is descriptive-analytical with a historical approach, and its purpose is to examine the pre-texts, commonalities, and how to be influential in Lorestan's pin head motifs based on Kristeva's theory. The central question is: in examining the pre-texts, commonalities, and processes of influence and interrelation within the motifs of Luristan pinheads, which cultural-artistic domain do they most closely align with? Based on Kristeva's theory of intertextuality, we can conclude that these motifs were more influenced by Mesopotamian art, as they are from different periods of Mesopotamia, such as: Sumer (Uruk period, Hassunah, Jamadt period) Nasr and Samaria), Babylon and Assyria, also influenced by the Neolithic period, the civilization of Upper Egypt, Mitani and Elam.
کلیدواژهها [English]
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